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Documentation :
The Absolute Piano is based on a basic
sound bank enhanced with numerous samples and fx.
A. Mixer

In the version 3 I've
decided to remove all the hammer and noise simulation, I've only
kept the pedal sound.
Pedal : this
set the volume of the pedal sound in the final mix. You can disable
the pedal with a button.
Fx : set the
volume of the Fx like reverb, chorus, echo in the final sound.
Amb :
set the Ambient sound volume in the final Mix.
Global : set
the global volume of the Plugin.
B. Volume Envelope

The volume envelope
is the way you can shape the volume of your piano sound. A quick
attack will do a percussive sound, but a slow attack will do a
violin style sound.
Attack Time:
The
time it takes to the pitch to go from Attack to Decay level.
Decay Time:
The time it takes to the pitch to go from Attack Level to normal
note pitch level.
Sustain :The time and
level the note is played when the note is on.
Release time:
The time it takes to the pitch to go from normal note pitch to
Release Level pitch. Notice that if the Amplifier Release is set
faster than this one, you won’t hear the whole pitch release
stage.
C. Filters
The
filters are 4 : Low pass, Hi pass, Band pass and Band reject.
This gives the widest
range of possibilities, to create weird sounds, or modified piano,
dark or bright, or even synthesizers sounds.
This filter has been
specially designed for the Absolute Piano. Its output is normalized so
even if you can get weird results, it will not blow your headphones!
Another
specification, the filter is self resonant. That means you can
obtain really amazing sweeps, like in a real analog gear!
Frequency : it
is way you specify to the filter the frequency that need to be
added, rejected, cut depending on the filter type you choose, it is
better to do some test to better understand the sonic modification.
Q : is the
resonance level. If the resonance is too high, the filter start to
self oscillate. This is a feature only supported by some of the best
analog synths.
D. Sound Sculpture.

This is a very
important part of the Absolute Piano, that extends its sound to almost endless
possibilities of timbre. The 3 band pass Shelving filters
will add more gain in the 85Hrz, 640Hrz and 1440Hrz frequencies.
These frequencies
corresponds to the low, mid and high frequencies of this piano. The
filter has been tuned specifically for this piano sound.
By changing the
Low, Mid and High button you will decide if you add or remove
gain at these specific frequencies. If the knob is >64 (middle) you
add gain, otherwise you remove gain.
So you can create
phone piano, low, or bright piano very easily!
The Width
parameter controls the width of the band pass filter. If the
width is large, each button will influence a larger band of
frequencies. If the width is small, you will change only the
frequencies close to the 85, 640 and 1440 HRZ, some results may be
very weird and interesting.
E.Effects section.
First of all, the effects are not in
chain. The Chorus, the Echo and the Reverb are in parallel, that
means that if you add chorus, it will not pass thru the reverb
engine. The Peak limiter is located at the end of the effect chain
and is used to avoid most peak saturation. The piano is a percussive
instrument, and saturation is often a problem at recording.

The effect section in the Absolute
Piano is
quite extensive and has been designed specifically for the piano.
Originally, most parameters in these effects are not useful for a
piano, so the effects have been redesigned to keep only the
essential. Their use is simple and yet efficient.
Reverberation : smooth
and natural, based on a modified Schroeder reverb algorithm.
Size : is the size of the
room. Basically it is the delay of the reverb, larger= longer
reverb.
Width : is a stereo enhancer.
It is used to spread the reverb around and simulate the random
reflection generated by non squared room.
Damp : is a low pass filter
that cut the highest frequencies. This is made to change the reverb
color, more Damp = more bright.
Echo : this delay can
be synchronized to the BPM or wild and set by the user.

Use this BPM sync button to
set the delay in sync with the VST host.
Delay : is the time in ms
between 2 delay taps.
Feedback is the time in ms
where the taps will continue to echo.
Chorus / Flanger :
this chorus use feedback in order to
get a flanger's like effect if you set the Amplitude at a too much
high level!
Speed : is the chorus speed.
Amplitude is the pitch level
of the delay.
Peak Boost
: this tool is very interesting. It can compress the sound, and
limit the sound as well. It has been tuned to specifically add more
attack to the sound. You can obtain a very punchy sound, great for
pop and rock style!
F. Midi player.
This is another nice feature of the
Absolute Piano. Its ability to run midifiles right from its main
interface, in stand alone more or in VST host. Just select the midi
you want to play from the drop down menu and if the play button is
pushed, it will run. You can add your own midi files. For doing so,
just copy the midi in the relative /midi/ subdirectory. Just locate
where your Absolute Piano piano is, and create this subdirectory if it is not
the case yet. Absolute Piano scan this directory to create the list of the
midi files in the drop down menu. The tempo of the Midifile must be
in the Midi itself. The Midi player read the midi tempo record and
use it.
G. Background sounds.

More than 25 pre-loaded very high background
sounds that loops indefinitively. This idea is really fun, and
playing piano in the morning country is definitively not the same
mood as playing in the mountain snow. Some very original ambient
sound will surprise you, while some classics are great to re-create
the bar or restaurant sounds of the 30's ragtime! You can use the
cool concert audience sound, that will add an incredible real
feeling to your recording, by using some reverb, you'll not only
simulate the room, but also the very thin audience noises, behind
every live recording, just as true as if it was played for real!
Each background sound is loaded when
you select it to save memory. It is done in real time, so you can
change the background sound from a midi control or just by hand
while you play!
H. Meters.
The transpose sliders are first one
at the left for octave transposition, and the other one is
the fine tune slider.
The 2 meters are precise an are for
the left and right channels.
The ID symbol
represents the computer ID you need to enter into the private area
in order to license your product.
I. Misc.
The Keyboard mode is not exactly
related to the midi player, but to how the graphic keyboard is
handled.
Mode 1 global : when this
button is off, you are in the default mode. You can play with
the keyboard from your midi keyboard, and any midi note will trigger
the keyboard.
Mode 2 local : when this
button is on you are in local mode. You can play with the
keyboard with the mouse, but if you play from the midi, the piano
will not trigger.

This information is only useful when
you use a VST host (cubase for example). It displays the tempo set
by the master application. It DOES NOT displays the midifile tempo.
J.Specifications.
System Requirements
- 500 Mb Free Hard Disc Space
- Windows XP
- P III/Athlon 1.7G
- 768 Mb RAM
- We recommends using a fast processor and up to
1 GB of free RAM
to optimize the performance of this sound module.
Compatibility:
- WIN - VST®2.0
- DXi2™
- ASIO™
- MME™
- Direct Sound™
- ASIO™
- Cubase, and all VSTi applications
all VST Hosts.
- Stand alone XP version with the help
of SAVIHOST.
K.Credits.
Thanks to Jeff McClintock.
Absolute Piano uses the excellent
SAVIHOST
from H.Seib to run in stand alone.
Absolute Piano sound banks was made
with the help of CDXTRACT and
SAMPLIT by Bernard Chavonnet.
Some graphics are made by
Artvera music studio!
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